Pop Culture Gadabout
Sunday, October 06, 2013
      ( 10/06/2013 12:34:00 PM ) Bill S.  

LOCAS AND DARK PHOENIXES What a difference a decade and a half makes.

The second book in TwoMorrows Publishing’s American Comic Book Chronicles Keith Dallas’ The 1980s shows a comics industry much changed from the one depicted in ACBC’s look at the first half of the 1960’s. Where that volume described a gasping publishing concern struggling to rebuild a flagging readership, the 1980’s were an entirely different terrain – at least for Big Two comics companies DC and Marvel. While their peak sales era appeared to have passed, the two companies posted average monthly sales figures of 2.8 and 5.4 million comics via newsstands and store spinner racks. Not bad, though plenty of industry observers in the day couldn’t help noticing that other mainstream comics publishers weren’t doing nearly as well.

What changed the industry picture – for better and worse – was the eighties’ era birth of the Direct Market: a changing distribution system that led to the flowering of comic book shops across the country. Comic books were becoming a specialty market, comparable to other hobbyist niches, and if at times this shift seemed to work against the art form’s maturation, it also helped keep the industry alive. Concurrently, a comics press focused on both art and industry machinations became more prominent, as did the still newish small press – all of which found a place in the comics shops.

Yet another element needs to be noted here: the generational shift in comics creators. Where earlier comics were crafted by writers and artists who hadn’t necessarily seen comic books as their primary creative outlet (even Stan Lee, for instance, had made several attempts to move into more prestigious newspaper stripwork), the newer crop grew up with 'em and had sought a profession in the field with the characters that they loved. This frequently led (and Dallas’ history describes some of the choicer moments) between writers convinced that their take on a character was the only correct one, with subsequent clashes between writers and editors that were eagerly documented in the comics press.

Which brings us to Jim Shooter. If any one figure is prominent in 1980’s, it’s the comics writer who became Marvel’s Editor-in-Chief in 1978. A strong editor charged with reining in what had been described as a chaotic creative environment, Shooter wound up butting heads with a number of the company’s creators, many of whom would ultimately flee Marvel to the welcoming arms of DC. He also, unfortunately, was tasked with being the face of corporate Marvel when beloved comics artist Jack Kirby, co-creator of many of Marvel’s most enduring characters, became engaged in a long legal struggle to get his art returned to him. Dallas’ history takes full advantage of the comics press’ reportage around Shooter’s tenure, which perhaps slants this volume away from the first book’s greater focus on comics content more than some readers might prefer.

To be sure, the eighties had its prime moments of comics creativity, both within the mainstream and in the ever-more-significant realm of alternative comics. 1980’s takes note of these achievements, though it tends to focus on mainstream work (Frank Miller’s Dark Knight Returns, Alan Moore and Dave Gibbons’ Watchmen, et al.) over the indy press. Still, you can’t have a history of eighties American graphic storytelling without acknowledging Will Eisner’s A Contract with God or Art Spiegelman’s Maus, though this reader can’t help noticing that the alt comics periodical where Spiegelman’s opus first appeared, Raw, only receives a cursory mention.

Still, as an era which gave us Dark Phoenix and Love and Rockets, inspired nonsense like Sergio Aragones’ Groo the Barbarian and Eastman and Laird’s Teenage Mutant Ninja Turtles, company spanning game-changing series like DC’s Crisis on Infinite Earths and Marvel’s Secret Wars, the eighties proved quite fertile for comics. American Comic Book Chronicles: 1980’s captures this juicy chunk of comic book history – and a time when graphic novels became a viable publishing proposition and mainstream comics were more than just feeder sites for the Hollywood machine.

(First published on Blogcritics.)

Labels:

# |



Pop cultural criticism - plus the occasional egocentric socio/political commentary by Bill Sherman (popculturegadabout AT yahoo.com).



On Sale Now!
Measure by Measure:



A Romantic Romp with the Fat and Fabulous
By Rebecca Fox & William Sherman

(Available through Amazon)

Measure by Measure Web Page







Ask for These Fine Cultural Blogs & Journals by Name!

aaronneathery.com News
Aaron Neathery

American Sideshow Blow-Off
Marc Hartzman

Arf Lovers
Craig Yoe

Attentiondeficitdisorderly
Sean T. Collins

Barbers Blog
Wilson Barbers

The Bastard Machine
Tim Goodman

The Beat
Heidi MacDonald

BeaucoupKevin
Kevin Church

Big Fat Blog
Paul McAleer

Big Mouth Types Again
Evan Dorkin

Bloggity-Blog-Blog-Blog
Laura "Tegan" Gjovaag

Blog This, Pal!
Gordon Dymowski

Bookgasm
Rod Lott

Cartoon Brew
Amid Amidi & Jerry Beck

Cartoon Web Log!
Daryl Cagle

Clea's Cave
Juana Moore-Overmyer

Collected Editions

The Comics Curmudgeon
Josh Fruhlinger

The Comics Reporter
Tom Spurgeon

Comics.212
Christopher Butcher

Comics Waiting Room
Marc Mason

Comics Worth Reading
Johanna Draper Carlson

a dragon dancing with the Buddha
Ben Varkentine

Egon

Electromatic Radio
Matt Appleyard Aaron Neathery

Estoreal
RAB

Eye of the Goof
Mr. Bali Hai

Fred Sez
Fred Hembeck

Greenbriar Picture Shows
John McElwee

The Groovy Age of Horror
Curt Purcell

The Hooded Utilitarian
Noah Berlatsky

Hooray for Captain Spaulding
Daniel Frank

The Horn Section
Hal

The House Next Door
Matt Zoller Seitz

Howling Curmudgeons
Greg Morrow & Friends

The Hurting
Tim O'Neil

I Am A Child of Television
Brent McKee

I Am NOT the Beastmaster
Marc Singer

In Sequence
Teresa Ortega

Innocent Bystander
Gary Sassaman

Irresponsible Pictures
Pata

Jog - The Blog
Joe McCulloch

The Johnny Bacardi Show
David Allen Jones

Journalista
Dirk Deppey

King's Chronicles
Paul Dini

Let's You And Him Fight
One of the Jones Boys

Mah Two Cents
Tony Collett

Metrokitty
Kitty

Michael's Movie Palace
Michael

Nat's TV
Nat Gertler

Ned Sonntag

Neilalien

News from ME
Mark Evanier

No Rock&Roll Fun
Simon B

Omega Channel
Matt Bradshaw

Pen-Elayne on the Web
Elayne Riggs

PeterDavid.net
Peter David

(postmodernbarney.com)
Dorian White

Progressive Ruin
Mike Sterling

Punk Rock Graffiti
Cindy Johnson & Autumn Meredith

Revoltin' Developments
Ken Cuperus

Rhinoplastique
Marc Bernardin

Scrubbles
Matt Hinrichs

Self-Styled Siren
Campaspe

Spatula Forum
Nik Dirga

Tales from the Longbox
Chris Mosby

TangognaT

The Third Banana
Aaron Neathery & Friends

Thrilling Days of Yesteryear
Ivan G. Shreve, Jr.

Toner Mishap
B2 et al

Trusty Plinko Stick
Bill Doughty

TV Barn
Aaron Barnhart et al

Unqualified Offerings
Jim Henley

Various And Sundry
Augie De Blieck

Video WatchBlog
Tim Lucas

When Fangirls Attack
Kalinara & Ragnell

X-Ray Spex
Will Pfeifer

Yet Another Comics Blog
Dave Carter



A Brief Political Disclaimer:

If this blog does not discuss a specific political issue or event, it is not because this writer finds said event politically inconvenient to acknowledge - it's simply because he's scatterbrained and irresponsible.




My Token List of Poli-Blogs:

Alicublog
Roy Edroso

Eschaton
Atrios

Firedoglake
Jane Hamsher

James Wolcott

Lance Mannion

The Moderate Voice
Joe Gandelman

Modulator
Steve

Pandagon
Amanda Marcotte & Friends

The Sideshow
Avedon Carol

Skippy, the Bush Kangaroo
Skippy

Talking Points Memo
Joshua Micah Marshall

This Modern World
Tom Tomorrow

Welcome to Shakesville
Melissa McEwan & Friends



Blogcritics: news and reviews
Site Feed



Powered by Blogger



Twittering:
    follow me on Twitter