Pop Culture Gadabout
Saturday, February 04, 2006
      ( 2/04/2006 06:11:00 PM ) Bill S.  


I LIKE BOTH THEME SONGS, ACTUALLY – A decent self-reflexive joke from this week's Monk: our hero, feeling the financial pinch because the San Fran P.D. hasn't called him in as a consultant on a recent homicide, has been weakly pressuring Captain Leland Stottlemeyer to be put on retainer. At story's end, Stottlemeyer reveals that he has permission to put Monk on contract – to work on sixteen homicides over the next two years. What about the next year? Monk worriedly asks. We'll see, the police captain tells him. It's the show's best in-joke since an earlier ep made winking indirect reference to the season two shift (from light acoustic rag to broader, fully orchestrated Randy Newman ragtime) in opening theme songs . . .
# |



Friday, February 03, 2006
      ( 2/03/2006 02:07:00 PM ) Bill S.  


ALWAYS REMEMBER – Okay, just one more . . .

Image hosting by Photobucket

# |

      ( 2/03/2006 06:31:00 AM ) Bill S.  


"JUST TO HAVE SOME COMPANY/TO SHARE A CUP OF TEA WITH ME!" - Meet Kyan, the latest member of the OakHaus menagerie. A labrador/golden retriever mix, the pup was born on the day after Thanksgiving and came into our home last weekend. It's our hope to train him as an assistance dog to help with Becky's mobility difficulties, but for now he's mainly just bein' a puppy.

Image hosting by Photobucket

# |



Thursday, February 02, 2006
      ( 2/02/2006 11:29:00 AM ) Bill S.  


BLOGROLLIN' – A hectic day at work, but I wanted to note a couple additions to the blogroll I've made over lunch. From Aaron Neathery, I was recently directed to John McElwee's Greenbriar Picture Shows, which appears to primarily focus on promo and publicity material from the studio days of Hollywood. I was immediately won over a series of stills from Boris Karloff at Home. (Particularly like the shot of the horror great holding his dogs in his arms.) From John's blog, I was also encouraged to add Tim Lucas' Video Watchblog into the mix, especially once I noted that Tim has his own list of Masters of Horror entries rated from bottom to top appended to his review of "Haeckel's Tale" – plus a big ugly pic of John Lydon posted on the occasion of the old sod's fiftieth birthday. Now that's some truly Scary Shit . . .
# |



Wednesday, February 01, 2006
      ( 2/01/2006 06:54:00 AM ) Bill S.  


WHAT I WATCHED IN PLACE OF THE SOTU ADDRESS – Supernatural (A killer truck! – in a lotta ways, this series is turning more into a WB gloss on The Night Stalker than the dead-and-buried official remake) and The Shield (This really is starting to feel like the show's last season, with Vic taking off the gloves and acting the out-and-out villain). Will probably scan the transcript of Bush's address in the next day, but I've really gotten to the point where I actively can't watch or listen to the man for more than a sound byte.

I had a similar problem with Clinton but for different reasons: where Bill was so obviously in love with the sound of his own voice that he usually spoke long past my short attention span, Bush's half panicky/half condescending iteration of broad-stroke talking points both unnerve and irritate me as a listener. Some Chief Executives have the gift (think Reagan) for conveying the message that they're in control of everything even when (again, think Reagan) they're not. Though he's gotten incrementally better at standing up and delivering his message, Bush does not have that knack. Even with the sound off, watching Bush speechify makes me nervous about the state of the union in ways I know are unintended . . .
# |



Tuesday, January 31, 2006
      ( 1/31/2006 01:03:00 PM ) Bill S.  


IT'S NATIONAL GORILLA SUIT DAY!So let's savor this underlit moment from Barry Mahon's classic, The Beast That Killed Women!

Image hosting by Photobucket

# |

      ( 1/31/2006 11:24:00 AM ) Bill S.  


KINGDOM COMING – I read today at Heidi's Place that Century Comics is planning on printing a four trade reprint of Jack Katz's The First Kingdom, one of the first great independent comics series. I was a fan of Katz's book when it first came out in the seventies – wrote the inner cover issue-by-issue synopses for the Bud Plant floppies, in fact – but it's been years since I've pulled out those books and re-read 'em. Perhaps I should do some digging and see how they hold up . . .
# |

      ( 1/31/2006 10:38:00 AM ) Bill S.  


THIRTEEN MINUS ONE – So Showtime's Masters of Horror has finished its first season, one episode lighter. While the end results have garnered mixed reactions from many horror fans, I generally enjoyed this collection of low-budget mini-horror-flix, if only for the way it seemingly brought guys like Joe Dante back to their Corman-y roots. I know I've touched on individual episodes already, but let's do a quick full run-down of Season One, shall we?
  1. "Incident on and off a Mountain Road" – To my eyes, Don Coscarelli's series opener started on a high that unfortunately hasn't lingered due to the repetition of two of the story's primary motifs (Woman Imprisoned in the Middle of Nowhere; There's A Killer on the Road) in two later entries. Befitting its Joe Lansdale source, this was a rough outing – as much for its scenes of its heroine's abuse at the hands of a whack-job survivalist spouse as for its scenes in that creepy isolated cabin – but Coscarelli regular Angus Scrimm is a treat as a crazed cabin captive with a strong case of Stockholm Syndrome.

  2. "Dreams in the Witch-House" – One of the series' highlights, Stuart Gordon's return to Miskatonic U. approaches the same deadpan sense of horror mixed with chortles that characterized his still-unmatched ReAnimator, but time and budgetary constraints (would've loved to see this as a full-length feature – with at least one good half-glimpse of the Old Ones who populate H.P. Lovecraft's mythos added to the mix) kept this entry from more fully smacking us on the face.

  3. "Dance of the Dead" – But at least Gordon actually carried us into horror territory, unlike poor Tobe Hooper, whose primary focus in horror filmmaking these days seems to be in garish lighting and set design. An Apocalyptic zombie story that manages to make both the Apocalypse and zombies look stultifying, "Dance" also provides a reminder that – sans post-production vocal treatment – Robert Englund is much more convincing playing kindly aliens than he is seedy degenerate creeps.

  4. "Jenifer" – Perhaps the first hint that the Showtime series was not going to go as far as it had advertised came with the news that a castration sequence had been snipped from this typically elegant-but-inconsistent Dario Argento adaptation of the Bruce Jones/Bernie Wrightson horror comic about one man's dangerous obsession with a grotesque, cannibalistic (but shapely!) young girl. Gotta admit I was nervous to read that star Steven Weber had written the screenplay for this adaptation – but until he gives us a teenaged beach party that seems to've been edited in from a different flick entirely – I was going along with things. A decent near miss . . .

  5. "Chocolate" – And then there's series creator Mick Garris' tepid updating on The Eyes of Laura Mars which, but for its occasional glimpses of sliced flesh, could've been a teevee-movie on any of the basic cable channels. I read somewhere that Garris originally wrote this as a full-length feature. We should probably be thankful he was forced to keep to under an hour. In a better world, he'd have been made to give at least a half hour of his time to Stu Gordon.

  6. "Homecoming" – It's probably fair to state that Joe Dante and Sam Hamm's Johnny Comes Marching Home zombie tale has received more press than any other entry in MoH's first season – and I don't begrudge this pulpishly political entry one drop of the ink it received. To my eyes, its closest comparisons are to underground horror comix produced in the early seventies (Legion of Charlies, in particular), not the horror films Dante cheekily references throughout. Not so much a horror tale as it is agitated satire, it nonetheless displays an admirable willingness to go beyond caricature to produce some disturbingly affecting moments (the amputated zombie soldier on the table, the zombie in a late-night cafe) alongside more campy imagery.

  7. "Deer Woman" – Remember how disappointed you felt at the end of An American Werewolf in London when the cursed hero's neatly built-up dread-soaked situation came crashing down with an extended auto demolition sequence? Well, director/co-writer John Landis still hasn't learned how to satisfactorily wrap a horror story . . .

  8. "Cigarette Burns" –Good ol' John Carpenter, on the other hand, continues to show some spunk. Reworking In the Mouth of Madness into the story of a cinemaphile who finds a long lost notorious feature about Le fin du Monde, Carpenter plays with film history, showing more excitement than he's demonstrated onscreen in years. If the end results aren't all that scary, they're undeniably fun to watch. Added bonus: Udo Kier as a nasty Eurotrash millionaire. Now there's a guy who breathes decadence . . .

  9. "The Fair-Haired Child" – The second Damsel in Distress in a Dark Secluded Place entry. A decent creature, some smart moments of suspense, an ending you can see fifteen minutes before you get to it. I was gonna ask what made director William (the second House on Haunted Hill) Malone a Master of Horror in the first place, but then I saw on IMDB that he was one of the directors on The Others, a 2000 dark fantasy series that was cut down way too soon, so I'm not gonna be snarky after all since this ultimately wasn't that bad an episode.

  10. "Sick Girl" – Girl-lovin' lady entomologist falls for a free-spirited type who is turning into something awful thanx to some bites by a mysterious South American beetle. In the right hands (think the transformation in Cronenberg's The Fly), this can be creepily unnerving stuff, but unfortunately director/co-writer Lucky McKee squanders too much time on unfunny desperate singles banter.

  11. "Pick Me Up" – Two urban legends (more than two, actually) met up on the same patch o' deserted country highway: when even a mainstream police procedural like Numb3rs starts riffing on urban legends, perhaps it's time to look elsewhere for your horror. Still, director Larry Cohen gets good mileage out of Michael Moriarty's loquaciously menacing trucker – the primary reason to watch this entry.

  12. "Haeckel's Tale" – Mick Garris strikes again! – this time, taking one of Clive Barker's bloody sex-&-horror yarns and scripting it in a stilted blend of Deadwoodese & Hammer Films declamation. The results, directed by John McNaughton, are amusing, and Jon Polito, playing a traveling necromancer, is his usual durably shady self. The Berger & Nicotero FX undercut the horror significantly (simply pointing out that a puppet looks like a puppet doesn't make it look any less like a puppet), but the episode's big moment (necrophilia writ large!) carries plenty of that Barker-esque charge. Not sure McNaughton was the guy to go to for this 'un – his sensitivity is too modern to fully carry off to early moments of this period piece – but I bet he'd do a great job on, oh, "The Midnight Meat Train."
Since we're gonna have to wait 'til Anchor Bay releases Entry Thirteen, that's it for MoH's first season. If none of the episodes aired produced the frisson I remember as a kid, watching Twilight Zone or Boris Karloff's Thriller, the better 'uns had their suitably creepy/disturbing moments. (A little more variety in subject matter would've helped, I'd still say, so let's stay off the highway in Season Two, m'kay?) Considering the disappointingly high percentage of failed major net attempts at bringing the Dark 'N' Creepy into our homes, I'm still heartened by the Showtime series' apparent success. And perhaps by Season Two, Tobe Hooper'll remember the rudiments of modern horror storytelling - after all, he discovered half of 'em!. . .
# |

      ( 1/31/2006 06:07:00 AM ) Bill S.  


ALWAYS REMEMBER –

Image hosting by Photobucket

# |



Monday, January 30, 2006
      ( 1/30/2006 09:26:00 PM ) Bill S.  


WHY YOU CAN'T ALWAYS COUNT ON POP CULTURE TO MAKE YOUR POLITICAL POINTS FOR YOU – So I read on Roy Edroso's site that one of the regulars at NRO's The Corner is please to see Kiefer Sutherland get acknowledged by SAG for his work on 24 because it suggests Hollywood might be "finally catching up on the war on terror." And I watch tonight's ep and see that one of this season's villains – indeed, the man responsible for the death of stalwart President Palmer – turns out to be a neocon prsidential adviser who wants to fabricate a war with oil rich Asian countries by shipping nerve case to that region and making it look as if they have Weapons of Mass Destruction. Hey, Cornerites, are you sure you wanna hang your political power points on this twisty piece of teevee pulp?
# |



Sunday, January 29, 2006
      ( 1/29/2006 11:22:00 AM ) Bill S.  


KNEE DEEP IN THE HOOPLA – An apt moment in this week's Love Monkey that most pop nerds'll doubtless relate to: in it, Tom Cavanagh's lovestruck A&R man is told his current obsession's Top Five Songs. First four offerings meet with his approval (when she mentions Dylan's "Visions of Johanna," he happily mentally notes that it's not an overplayed Dylan song). But when Julia gets to her fifth, it turns out to be Jefferson Starship's execrable "We Built This City." Which just goes to show that no matter how in tune you may feel you are with the Object of Your Attraction, there'll always be at least one song or group where you'll significantly diverge . . .

Sharp use of the Magic Numbers' "Morning Eleven" in the ice-skating scene, incidentally.
# |

      ( 1/29/2006 09:21:00 AM ) Bill S.  


SHOWTIME WIMPS OUT – Gotta admit I was initially confused to read in Entertainment Weekly that this week's airing of "Haeckel's Tale" was Masters of Horror's season finale. According to the Showtime site, thirteen episodes are supposed to be aired, of which "Tale" is only number twelve – with Takashi Miike's "Imprint" still unaccounted for. Still, listening to an end credits voiceover telling us that new eps of the show will be coming next fall sure gave the impression that the series' first season was over. So what's the story?

Digging a bit on the Internet, I learned that "Imprint" is, in fact, not going to be aired on the show – the offering apparently being deemed too "intense" for MoH. This act of namby-pambyism will doubtless will pique horror junkies' curiosity about the film 'til its Anchor Bay DVD release next fall. So how transgressive do you have to be to get kept off a series that (in the case of "Haeckel's Tale") is willing to give you a sex scene 'tween a naked young woman and a rotting zombie, anyway? And am I the only MoH viewer getting vibes of John Carpenter's "Cigarette Burns" on this?
# |



Pop cultural criticism - plus the occasional egocentric socio/political commentary by Bill Sherman (popculturegadabout AT yahoo.com).



On Sale Now!
Measure by Measure:



A Romantic Romp with the Fat and Fabulous
By Rebecca Fox & William Sherman

(Available through Amazon)

Measure by Measure Web Page







Ask for These Fine Cultural Blogs & Journals by Name!

aaronneathery.com News
Aaron Neathery

American Sideshow Blow-Off
Marc Hartzman

Arf Lovers
Craig Yoe

Attentiondeficitdisorderly
Sean T. Collins

Barbers Blog
Wilson Barbers

The Bastard Machine
Tim Goodman

The Beat
Heidi MacDonald

BeaucoupKevin
Kevin Church

Big Fat Blog
Paul McAleer

Big Mouth Types Again
Evan Dorkin

Bloggity-Blog-Blog-Blog
Laura "Tegan" Gjovaag

Blog This, Pal!
Gordon Dymowski

Bookgasm
Rod Lott

Cartoon Brew
Amid Amidi & Jerry Beck

Cartoon Web Log!
Daryl Cagle

Clea's Cave
Juana Moore-Overmyer

Collected Editions

The Comics Curmudgeon
Josh Fruhlinger

The Comics Reporter
Tom Spurgeon

Comics.212
Christopher Butcher

Comics Waiting Room
Marc Mason

Comics Worth Reading
Johanna Draper Carlson

a dragon dancing with the Buddha
Ben Varkentine

Egon

Electromatic Radio
Matt Appleyard Aaron Neathery

Estoreal
RAB

Eye of the Goof
Mr. Bali Hai

Fred Sez
Fred Hembeck

Greenbriar Picture Shows
John McElwee

The Groovy Age of Horror
Curt Purcell

The Hooded Utilitarian
Noah Berlatsky

Hooray for Captain Spaulding
Daniel Frank

The Horn Section
Hal

The House Next Door
Matt Zoller Seitz

Howling Curmudgeons
Greg Morrow & Friends

The Hurting
Tim O'Neil

I Am A Child of Television
Brent McKee

I Am NOT the Beastmaster
Marc Singer

In Sequence
Teresa Ortega

Innocent Bystander
Gary Sassaman

Irresponsible Pictures
Pata

Jog - The Blog
Joe McCulloch

The Johnny Bacardi Show
David Allen Jones

Journalista
Dirk Deppey

King's Chronicles
Paul Dini

Let's You And Him Fight
One of the Jones Boys

Mah Two Cents
Tony Collett

Metrokitty
Kitty

Michael's Movie Palace
Michael

Nat's TV
Nat Gertler

Ned Sonntag

Neilalien

News from ME
Mark Evanier

No Rock&Roll Fun
Simon B

Omega Channel
Matt Bradshaw

Pen-Elayne on the Web
Elayne Riggs

PeterDavid.net
Peter David

(postmodernbarney.com)
Dorian White

Progressive Ruin
Mike Sterling

Punk Rock Graffiti
Cindy Johnson & Autumn Meredith

Revoltin' Developments
Ken Cuperus

Rhinoplastique
Marc Bernardin

Scrubbles
Matt Hinrichs

Self-Styled Siren
Campaspe

Spatula Forum
Nik Dirga

Tales from the Longbox
Chris Mosby

TangognaT

The Third Banana
Aaron Neathery & Friends

Thrilling Days of Yesteryear
Ivan G. Shreve, Jr.

Toner Mishap
B2 et al

Trusty Plinko Stick
Bill Doughty

TV Barn
Aaron Barnhart et al

Unqualified Offerings
Jim Henley

Various And Sundry
Augie De Blieck

Video WatchBlog
Tim Lucas

When Fangirls Attack
Kalinara & Ragnell

X-Ray Spex
Will Pfeifer

Yet Another Comics Blog
Dave Carter



A Brief Political Disclaimer:

If this blog does not discuss a specific political issue or event, it is not because this writer finds said event politically inconvenient to acknowledge - it's simply because he's scatterbrained and irresponsible.




My Token List of Poli-Blogs:

Alicublog
Roy Edroso

Eschaton
Atrios

Firedoglake
Jane Hamsher

James Wolcott

Lance Mannion

The Moderate Voice
Joe Gandelman

Modulator
Steve

Pandagon
Amanda Marcotte & Friends

The Sideshow
Avedon Carol

Skippy, the Bush Kangaroo
Skippy

Talking Points Memo
Joshua Micah Marshall

This Modern World
Tom Tomorrow

Welcome to Shakesville
Melissa McEwan & Friends



Blogcritics: news and reviews
Site Feed



Powered by Blogger



Twittering:
    follow me on Twitter