Pop Culture Gadabout | ||
Sunday, February 07, 2010 ( 2/07/2010 12:17:00 PM ) Bill S. ![]() “In a way,” one of World’s battered young protagonists thinks about the latter as he prepares to take his afflicted sister out to view the spring blossoms, “it’s a pretty convenient illness for the modern man.” As with the first book, several telling motifs pop up in volume two: references to cram school, Japanese society’s childhood destroying educational sausage factory; the risks of Samaritan action; substance abuse and ruinous family miscommunication. In the volume’s title story, a convenience store clerk sees a stray dog with two arrows in it -- the work of punk kids using the mutt for target practice, he thinks. He lets the dog loose without bothering to try and remove the arrows. “I didn’t say I was going to rescue you,” he tells the animal, yet later, when he sees it bandaged and in the company of a homeless man he’s heartened by the sight. “The world’s not all that hopeless, after all,” he says with a smile, even as the reader realizes that the guy hasn’t done a damn thing himself to alleviate that sense of hopelessness. In another “track,” the acting editor of a porno mag half-successfully tries to balance his job responsibilities with his role as a husband and father: the crass and the humane both competing for his attention. That Asano is able to give both sides their due is a large part of the art in this crafty manga mini-series. Labels: sixty-minute manga # | |
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