Pop Culture Gadabout | ||
Thursday, May 17, 2012 ( 5/17/2012 05:37:00 AM ) Bill S. The story opens ten years earlier when our hero is a young man studying to become a mangaka (manga artist). While staying at his grandmother’s inn over the summer, Rohan meets a mysterious and alluring widow who both inspires his art (“An editor told me my female characters weren’t at all sexy . . . “ he explains when he’s discovered sketching her, “I was drawing you to train myself a little.”) and tells him a story about a work that’s “the darkest painting in the world.” Painted in Japan over 300 years ago with a “pigment of a hitherto unknown blackness,” the work’s artist was executed and his painting stored in the bowels of the Louvre. A chance remark ten years later sparks the now successful mangaka’s curiosity about this most “evil” painting, so he travels to Paris to uncover it. His quest results in the painting’s curse being unleashed on a quarter of innocents -- not to mention Rohan himself -- as just a glimpse of it releases the hatred of each viewer’s ancestors. Araki’s depictions of the ghostly attacks beneath the Louvre are darkly grotesque and effective, a strong counterpoint to the brightly hued images of the aboveground museum. The book‘s effete hero (early during his visit, he chastises some tourists for not being respectfully dressed in the midst of so much great art) proves an engaging character, though not having read the original series where he made his debut, this reader wanted a little more information about his self-described paranormal ability to “read people like a book in both the proper and figurative sense.” Unlike one of its earlier manga releases (the evocative Stargazing Dog (First published on Blogcritics.) Labels: sixty-minute manga # | |
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